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In the telling, Roseanne's patchwork of memories becomes “history” - according to her own definition, a “fabulous arrangement of surmises and guesses held up as a banner against the assault of withering truth”. But it also becomes “scripture”: a sacred text. There is something spiritual in Roseanne's brave reverence for life, in her willingness to find angels in the midst of cruelty, prejudice and ignorance.
Sebastian Barry writes about loss, broken promises, failed hopes. The setting is the western Ireland of traditional literary depiction - subtle Yeatsian references abound in the novel - but Barry's destabilising of inherited images gives the book a punkish energy as well as fiery beauty.
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